Your
holidays can provide endless opportunities for brilliant photography,
regardless of which part of the world you've chosen to jet off to. In the first
part of my two-part travel photography guide, I took you through the kit you should consider taking with you.
Now,
I'm going to take you through some of the best tips you should keep in mind on
vacation to help you come back with some glorious travel shots, instead of a
boring bunch of holiday snaps.
Get to know your kit
Learning
how to use your camera will not only help you get better, more creative shots,
but will help you get those shots quicker, as you won't have to fiddle around
with settings. Some of the most exciting travel shots can come and go in a
split second, so whether you're capturing the running of the bulls in Pamplona
or a snowboarder launching off a mogul in Switzerland, you'll need to learn to
shoot quickly.
If
you learn how to properly work your camera, you'll be able to quickly shoot
when inspiration strikes.
Get out of automatic mode
Spend
time with your camera in manual mode before you go away. Learn how to change
shutter speed, aperture, ISO speeds and white balance, and experiment with what
happens to your images when you change these settings. A good camera will be
able to capture some great shots in auto mode, but when you want to get
creative with long exposures, you'll need to take manual control of the
settings. Learning how to use manual controls will allow you to get creative
with slow shutter speeds.
Shoot in raw
If
your camera has it (and most do), shoot in raw format. Yes, it creates bigger
files, but memory cards are so cheap now that it's worth carrying an extra 32GB
card with you. Raw shooting allows you to change white balance after your shot,
and capture more details in the very bright and very dark areas, letting you
tone down any blown-out skies or lighten some shadows in Photoshop. Shooting in
raw allows you to fine tune settings like white balance after you've taken the
shot. Although it's always best to get the shot right when you first take it,
raw processing gives you much more flexibility to rescue a shot that's not
quite right.
Do your research
Search
for your location on Google and visit travel sites to find out more about where
you're going. Not only will that help you make the most of your trip, you may
find out about local events or particularly photogenic locations you may
otherwise have missed.
You
might also find out about photography restrictions that may land you in hot
water -- as a general rule anywhere, avoid photographing government buildings,
and if you're unsure, ask permission. Local
events can provide a wealth of photography opportunities, such as this
sea-swimming competition in the Italian town of Vernazza.Andrew Hoyle/CNET
Search
for your destination on photography websites such as Flickr and 500px for
inspiration on what to see. It's handy to get an idea of the shots other people
have taken -- either to replicate them yourself, or to avoid taking the same
generic shot the Internet has seen hundreds of times before.
Take time to compose
Good
composition will make or break a photo, and unlike white balance or colour
tone, poor composition cannot be fixed in post processing. The morning light
bouncing off that rustic church won't count for much if you've accidentally
chopped off the spire in your hurry to take the shot.
Play with angles
A
generic shot of a popular spot can be transformed into an unusual and creative
artwork simply by changing your angle. Take a moment to look at the scene
before you shoot and don't be afraid to move around to get the best angles.
Struggling with a beach scene? Walk further down the coast to find boats, nets
or rocks that might add foreground interest. Shooting in the city? Get up a
tall building for dramatic urban cityscapes. Even just kneeling down and
shooting from below can make a difference.
Don't be afraid of the dark
Just
because the sun has gone down, it doesn't mean your photography needs to stop.
It's a great time to get creative with slow shutter shots. Long exposures blur
motion, turning regular car headlights
on a city street into creative, abstract light trails, streaking through the
darkness. Use a narrow aperture -- f/12-f/20 -- and a long exposure to turn
points of light into gorgeous star bursts.
A lack
of natural light doesn't mean there's nothing to photograph. You'll need to
secure your camera firmly in place -- with a tripod of course -- and if you're
playing with exposures longer than a few seconds, you'll need to be careful
about the breeze or people walking by adding any vibrations. If you want to do
long exposures in the daytime, you'll need a dark neutral density filter --
such as the Big Stopper by Lee Filters -- to let you take minute-long exposures
in the middle of the day.
Be a people person
It's
often the people you meet as much as the places you see that makes travelling
and exploring so interesting. People make fantastic subjects to photograph,
whether they're wandering the streets, relaxing or hard at work.
Always
ask permission before you take photos of strangers. Naturally, not everybody will want
to be photographed so, out of politeness if nothing else, it's a good idea to
ask the person's permission beforehand. It'll help if you do your research and
learn a few key phrases of the local language to not only ask permission, but
be able to understand the response. If they say no, it's important to respect
that.
Set your alarm
The
middle of the day may be the nicest time to wander around Tuscan streets, grab
a hot chocolate on the mountainside or order a third cocktail on the beach, but
the midday sun doesn't usually offer the best light for dramatic photographs.
Set
your alarm early enough and you can catch a golden sunrise.
It's
the early morning light, casting its long, golden shadows that will really make
a place look its most beautiful. Setting your alarm for sunrise on holiday may
seem like the worst thing in the world, but it's worth trying -- even just once
-- to see what sort of shots you get. Scout out locations beforehand to make
sure you don't waste the precious early hours trying to find somewhere to
shoot.
Revisit the scene
When
you stumble upon a particularly picturesque scene, don't just visit it the
once. While a bay may look delightful in the daytime, it will look different
again at night, with all the lights of nearby buildings stretching out across
the water. If you know a great spot, do your best to come back to it to find out
when it looks best.
Play with processing
Although
you should always try to get the best shot you can when you first take it, some
well-placed post processing can turn a good photo into a great one. If you're
shooting raw files you'll need to process them anyway, so it's worth trying out
a few of the sliders in Adobe Lightroom while you're at it.
With
your raw files, the first thing you'll need to do is correct the white balance.
Have a play with the colour temperature slider and see what tone suits best.
Summer evening shots will benefit from a warmer colour tone, while chilly
February city streets will look best with something a bit cooler.
Toning
down the highlights can help keep a bright sky under control, while lifting the
shadows will help make darker areas more visible, without affecting too much of
the rest of the scene. It's important not to go overboard on this, as it can
make your images look a little unnatural.
From
that point on, have a play with your editor of choice and see what you like.
There's no one right way to edit your shots -- no matter what anybody says --
it's all about what you prefer. Experiment with black and white or sepia
processing, or use Web-based services like Fotor to create a collage of your
shots to print and frame for your wall.
Do your own thing
Sure,
rules such as "take the lens cap off before shooting" should always
be followed, but never be afraid to try an unusual angle, play with your
settings or experiment with new editing techniques in Lightroom. If everybody
always followed the exact same format, everybody's photography would look the
same. Use these rules as guidelines and play with angles, settings and editing
as much as you want to find what works for you.
No comments:
Post a Comment